NO COPPER / TROPICAL TRASH split (self-released) cassette 5.00 - catalog description

Latest releases from blackened soundscaper Thaniel Ion Lee, who we first heard in his guise as Blood Escutcheon, who split a tape with black metal weirdos Cloak Of Displacement, and then released a cd-r (both sadly out of print). He then released a cool boxed cd-r called White (which we just got back in and you'll find listed elsewhere on this week's list), and is back again, now in a duo called No Copper, whose sounds is less droned out and blackened than Blood Escutcheon or his solo record, and more abstract, ritualistic soundscaping, inhabiting a soundworld more along the lines of say No Neck Blues Band, Sunburned Hand Of The Man or Avarus, long buzzing tones, pounding abstract drums, scrapes and creaks, lush layered drones, raw and lo-fi, minimal, but gorgeously thick and washed out, caustic in places, noisy in others, but all blurred and smeared into a dark landscape of echo drenched reverberations, melodic fragments, rhythmic experiments and black ambient shimmer, all flecked with bits of folky flutter and strange abstract sonic filigree. Fans of Lee's other projects will definitely dig.
The flipside is occupied by an outfit called Tropical Trash, who may or may not also be called the Coconut Crimewave Big Band, but who prove themselves worthy foils for No Copper, with a sound that pushed even further into avant rock territory, a sort of free jazz / avant noise, heavy rhythmic, twisted electronic freakout heavy rock crush (!), the group fusing pounding drums to clouds of swirling glitched out swoops and swirls, before launching into some seriously blown out heaviness, thick churning riffage, pounding drums, all peppered with some bleeping electronics, and a sheen of hazy buzzy soft focus noise, a killer slab of classic electronic flecked noise rock, that definitely has us wanting to hear more! The band soon return to scrabbling and abstract skitter, the rock crush ditched in favor of some experimental abstraction, which is bombarded over the course of the rest of their side with some seriously fierce drum damage,
LIMITED TO 100 COPIES. Housed in cool hand screened origami style cardstock boxes, each one hand numbered, with a printed insert.